

My role was to:
-
Generate the creative idea of the teaser
-
Full color grading
-
working with two lighting technicians, we carried out the entire illumination of the teaser
​

Animated Feature Films


Color grading Re-light in composition

Color grading Re-light in composition Matte painting integration

Color grading Re-light in composition

Color grading Re-light in composition

Color grading

Color grading

Color grading Re-light in composition Matte painting integration

Color grading

Color grading Re-light in composition
IMDB


"A young surfer rallies his friends to stop a billionaire from rewriting history as a way to hoard Helium 3, the clean energy of the future."
COMPANY
TEASER OFICIAL
TRAILER
TV SPOT




COMPANY
"Tad Jones, the most awkward explorer, must rescue his beloved Sara from a millionaire who is looking for King Midas' necklace."


IMDB

Color grading Re-light in composition

Color grading

Color grading Fx water

Color Grading Re-light in composition

Matte Painting integration Color grading

Color grading

Color grading Re-light in composition

Color grading

Color grading Re-light in composition
TRAILER
TV SPOT



My primary role was to coordinate the various art department managers (design, colour...) to establish a homogeneous visual art style, which was to be compatible with the technical capacities of the development team.
COMPANY
Tad is a celebrity archeologist and adventurer just like his hero Max Mordon... in his dreams! In reality, Tad is a Chicago construction worker. One day, however, he is mistaken for a real Professor and takes his place on a flight to Peru in search of the Lost City of Paititi.


IMDB
I led our character modelling and shading team. I did myself a few of the character of the movie.
Working with the managers of the color and of the lighting department, we laid out the rules to carry out the final film frame.
I led a small team who engaged in the following tasks:
-
Color grading
-
Fx and matte painting merging.
-
Re-lighting in post-production programmes on scenes to maintain homogenous illumination

Color grading

Color grading Re-light

Color grading

Color grading

Color grading

Color grading

Color grading Fx integration

Color grading Re-light Fx integration

Color grading Re-light Matte painting integration
TRAILER
TEASER TRAILER



AWARDS

My role was to:
-
Full color grading
-
I carried out the illumination of the teaser from the minute 0:15 and until the end.
FILMOGRAPHY
Screenshots
Videos
Videos
Screenshots
Videos
Screenshots
PRODUCTION DESIGNER
Main Roles
CHARACTER SUPERVISOR
COLOR GRADING AND COMPOSITING SUPERVISOR
My primary role was to coordinate the various art department managers (design, colour...) to establish a homogeneous visual art style, which was to be compatible with the technical capacities of the development team.
Working with the managers of the color and of the lighting department, we laid out the rules to carry out the final film frame.
I led a small team who engaged in the following tasks:
-
Color grading
-
Fx and matte painting merging.
-
Re-lighting in post-production programmes on scenes to maintain homogenous illumination.- NOTE: Rendering light layers enabled the post-production team to control the final film light. We could turn on and off, and change the lights in any scene.
I led our character modelling and shading team. I did myself a few of the character of the movie.
I led the matte painting team. My primary role consisted of coordinating the various art department artists in order that they established a homogeneous visual art.
I also worked with the tools department, we developed the tools to solve technological problems.
COLOR GRADING AND COMPOSITING SUPERVISOR
CHARACTER SUPERVISOR
Main Roles
PRODUCTION DESIGNER
MATTE-PAINTER SUPERVISOR
My primary role was to coordinate the various art department managers (design, colour...) to establish a homogeneous visual art style, which was to be compatible with the technical capacities of the development team
I led our character modelling and shading team. I did myself a few of the character of the movie.
Working with the managers of the color and of the lighting department, we laid out the rules to carry out the final film frame.
I led a small team who engaged in the following tasks:
-
Color grading
-
Fx and matte painting merging
-
Re-lighting in post-production programmes on scenes to maintain homogenoues illumination.
PRODUCTION DESIGNER
Main Roles
CHARACTER SUPERVISOR
COLOR GRADING AND COMPOSITING SUPERVISOR